This chapter in the book is about figurative language, so I would consider it silly if I didn't even attempt to tackle question 11, even though I truly struggle with figurative language. But don't worry, I got this. The main focus of this poem is on five similes and a metaphor. Each simile means something particular, as well as that last metaphor, which carries the most meaning of them all. First, a dream might dry up like a raisin in the sun, eventually losing volume and importance until the dreamer forgets all about their earlier aspirations. Or it might fester like a sore, eating away at a person until it tears them down and makes them bitter towards the world because they could not fulfill their dream. Or perhaps it will stink like rotten meat, causing the person to be disgusted by what they once thought would be a truly grand dream. Or perhaps it crusts over like some sort of deliciously sticky sweet, becoming sugar-coated to the point that the person justifies their own failure to realize their dreams. Maybe even it just weighs down on the person, beating them down until they can no longer stand it. These are all perfectly valid possibilities. However, they are set apart from the metaphor, both physically by a single blank line in the poem, and analytically, as the previous five are similes but this one is an almighty metaphor (specifically an implied one, between the dream and something that explodes). The metaphor itself indicates that a dream could suddenly turn to violence in an attempt for the dreamer to make it reality, and it can spill out to affect many other things, like an explosion. The separation of the metaphor from the other similes indicates two things: either the speaker thinks it is the most likely to happen, or he is indicating that it is the worst possible outcome for a deferred dream to have.
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